Architectural pioneers such as Frank Gehry and Greg Lynn introduced the world to the extreme forms made possible by digital fabrication. It is now possible to transfer designs made on a computer to computer-controlled machinery that creates actual building components. This “file to factory” process not only enables architects to realize projectsfeaturing complex or double-curved geometries, but also liberates architects from a dependence on off-the-shelf building components, enabling projects of previously unimaginable complexity
Digital Fabrications: Architectural and Material Techniques
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Digital Fabrications: Architectural and Material Techniques
Architectural pioneers such as Frank Gehry and Greg Lynn introduced the world to the extreme forms made possible by digital fabrication. It is now possible to transfer designs made on a computer to computer-controlled machinery that creates actual building components. This “file to factory” process not only enables architects to realize projectsfeaturing complex or double-curved geometries, but also liberates architects from a dependence on off-the-shelf building components, enabling projects of previously unimaginable complexity.
Digital Fabrications, the second volume in our new Architecture Briefs series, celebrates the design ingenuity made possible by digital fabrication techniques. Author Lisa Iwamoto explores the methods architects use to calibrate digital designs with physical forms. The book is organized according to five types of digital fabrication techniques: tessellating, sectioning, folding, contouring, and forming. Projects are shown both in their finished forms and in working drawings, templates, and prototypes, allowing the reader to watch the process of each fantastic construction unfold. Digital Fabrications presents projects designed and built by emerging practices that pioneer techniques and experiment with fabrication processes on a small scale with a do-it-yourself attitude. Featured architects include Ammar Eloueini/DIGIT-AL Studio, Elena Manferdini, Brennan Buck, Michael Meredith/MOS, Office dA, Mafoomby, URBAN A+O, SYSTEM Architects, Andrew Kudless, IwamotoScott, Howeler Yoon, Hitoshi Abe, Chris Bosse, Tom Wiscombe/Emergent, Jeremy Ficca, SPAN, Urban A&O, Gnuform, Heather Roberge, Patterns, and Servo.
TABLE OF CONTENTS
Introduction | 4 |
008 Sectioning | |
Digital Weave, University of California, Berkeley/Lisa Iwamoto | 17 |
Mafoombey, Martti Kalliala, Esa Ruskeepää, with Martin Lukasczyk | 22 |
(Ply)Wood Delaminations, Georgia Institute of Technology/Monica Ponce de Leon | 26 |
A Change of State, Georgia Institute of Technology/Nader Tehrani | 28 |
[c]space, Alan Dempsey and Alvin Huang | 30 |
BURST*.003, SYSTEMarchitects | 32 |
034 Tessellating | |
West Coast Pavilion, Atelier Manferdini | 42 |
Huyghe + Le Corbusier Puppet Theater, MOS | 46 |
Helios House, Office dA and Johnston Marklee & Associates | 50 |
California: Stage Set for John Jasperse, AEDS/Ammar Eloueini | 52 |
Airspace Tokyo, Thom Faulders Architecture | 54 |
Technicolor Bloom, Brennan Buck | 56 |
060 Folding | |
Dragonfly, Tom Wiscombe/EMERGENT | 69 |
Nubik, AEDS/Ammar Eloueini | 74 |
In-Out Curtain, IwamotoScott | 76 |
Entry Paradise Pavilion, Chris Bosse/PTW Architects | 78 |
Aoba-tei, Atelier Hitoshi Abe | 80 |
Digital Origami, University of Technology, Sydney/Chris Bosse | 82 |
C_Wall, Andrew Kudless/Matsys | 84 |
Manifold, Andrew Kudless/Matsys | 86 |
088 Contouring | |
Bone Wall, Urban A&O | 94 |
Design 306, Erwin Hauer and Enrique Rosado | 98 |
CNC panels, Jeremy Ficca | 100 |
Door with Peephole, WILLIAMSONWILLIAMSON | 101 |
Gradient Scale, SPAN | 102 |
Tool-Hide, Ruy Klein | 103 |
106 Forming | |
Alice, Florencia Pita mod | 113 |
Prototype Pavilion, MOS | 118 |
UniBodies, PATTERNS, with Kreysler & Associates | 122 |
NGTV, GNUFORM | 124 |
“Dark Places,” servo | 126 |
“Housing in Vienna,” SPAN | 130 |
Satin Sheet, University of California, Los Angeles/Heather Roberge | 132 |
Shiatsu, University of California, Los Angeles/Heather Roberge | 135 |
P_Wall, Andrew Kudless/Matsys | 138 |
Notes | 140 |
Project Credits | 141 |
- Language : English
- PDF 145 pages